Adventures in Historical Tabletweaving

Yesterday, Aldygtha created a new Historic Tablet Weaving Facebook group, and it is already filling up with interesting discussions and beautiful photos of members' work.  If you like historical tablet weaving (and you don't hate Facebook!) you should join!

Well I reached the first milestone in my distracting embroidery, and managed to put it aside.  Got back to the weaving and managed to finish the first bicep band. Half way there!  Things were really going downhill near the end in terms of the integrity of the cards and the warp. So I've decided to re-string everything with new cards.  Woohoo.  That should keep me occupied far another week or so. Anyway, here's a picture of the embroidery  I've been working on.  It's going to be a buskin, based on the ones of Walter de Cantelupe .  The lion is from some manuscript I cunningly didn't write down the name of (Will have to trawl back through the University Library to find it again)

Sorry for the long break between posts, I've had 3 weekends in a row swallowed up by events, and also I may have got a ... little bit ... distracted ... by an embroidery project. OK, so I haven't done any weaving for the last 3 weeks.  And probably won't for another 2 or so, when I finish the first figure in the embroidery and hopefully get it out of my system. Anyway, here's another figure from the Chasuble of St Wolfgang band.  It's actually the 3rd one I wove; the second one doesn't look so great so I'm going to see how it comes out the second time through before posting it.  But this bird looks pretty much like I was hoping.  Here's the link to the photo of the original on Kopert.  Not sure why this bird is holding a boot.

 Right.  Here are some pictures of my lion from the Chasuble of St Wolfgang.  This is the pattern from pages 120-121 of EPAC . The pattern in EPAC is 125 tablets wide, although the description of the band says it has 132 tablets.  Not sure if any "lost" tablets are in the border or the pattern. There's one obvious way that this pattern differs from regular 3/1 broken twill: The vertical (lengthways) cross-sections of the regions where the red is up are not multiples of 2 passes long.  In fact to counteract the difference in warp density and weft density, the lines across the band are usually 1 weft pass wide while the lines down the band are usually 2 tablets (8 warp threads) wide.  When I started, I wasn't sure how to approach this- maybe there should be half turns to bring the red up and down at the right point? Or maybe the red should be brought up early or down late, with the brocade obscuring the jagged edges?  I couldn't tell from the photos ...

Well, it's been a month since my last post, and I've been travelling, and sick, and lazy, so I haven't got around to writing anything up yet.  So here's a somewhat blurry and out-of-date photo of the first couple of centimetres of the St Wolfgang pattern, just to prove I've done something!  There are several mistakes just in this little section of the band but it still manages to look quite pretty. Hopefully I will get  real blog post together soon!

I have a new project.  It is the band on the Chasuble of St Wolfgang (or rather, one of them).  You may have seen the pattern in EPAC on page 120, or plate 179 in Collingwood.  There are photos of the original at Kopert -taken by someone who knows it's useful to show the part of the band where the brocade has worn away!  You can see Nancy's version here but it is not 3/1 broken twill The band is approximately 3cm wide, has over 120 tablets, and is woven in brocaded 3/1 broken twill.  This is the first time I am combining both techniques so it is a bit of an adventure.  To make things even more exciting, I am weaving it using very thin (120 denier) red and blue filament silk from Devere .  For the brocade I am using real gold thread I bought from John Marshall . I'll be weaving on my inkle loom because there's no way I'll be able to keep things neat otherwise. EPAC graphs the first figure from the band, the lion (or aardvark pushing a lion mask,...

Nancy Spies posted the following message to SCA-Card-Weaving yesterday: "I don't mean to do a "business" message here, but I did want to let folks know that I am liquidating all remaining stock of "Anna Neuper's Modelbuch" and "Here Be Drolleries" by the end of April. "Here Be Wyverns" is now out-of-print, but copies of "Ecclesiastical Pomp" will still be available until sold out." Ecclesiastical Pomp and Circumstance is THE book for brocaded tablet weaving and Anna Neuper's Modelbuch is also a great little book.  Get in quick!