Adventures in Historical Tabletweaving

Warp: Red, white, yellow and green silk (fibreholics) (original in wool) Weft: White silk (fibreholics) (original in linen) Pattern: St Maurice monestary, 8-10th century (Collingwood p. 156) Cards: 18 pattern + 2x2 border (2x3 in original).  2 holes per pattern card Width: 7mm (original 11mm) Length: 78cm This band is quite different to any I have done before.  The pattern area is woven with 9 pairs of 2 tablets, each threaded in two holes.  One tablet carries a red and a white warp thread, and the other a yellow and a green (note: these are the colours I used; discussion on the colours of the original below).  The tablets are manipulated individually to form the pattern.  The interesting point is that there is no warp twining: tablets "rock" from one colour to another but never complete a full rotation.  In the pattern to the right, the coloured squares show the colour that is up.  In the squares with the grey line through them, no colour...

Warp: Red silk Weft: Really thin red silk Brocade weft: 3x Anchor lame gold Pattern: Knotwork brocade, based on 11th century Swiss pattern Cards: 67 Width: 3.5cm Length: 2m This band is a belt for Sinech, a local SCAdian who does beautiful embroidery. Her persona is 8th century Irish but lacking documentation for tablet weaving going on around there we decided on a knotwork pattern based on a band from 11th century Riggisberg, Switzerland. It's on page 170 of EPAC . The original had 146 tablets but I created a dumbed down version with only 67. I wove this band on the inkle loom, like the last one. Here's a picture of it in progress. Brocade weft coverage is not great but the pattern is still quite striking. Since this is a belt I put slits in the blank areas of the pattern in the middle section of the band. This worked a lot better than it did on the "Anglo-Saxon" belt from last year- the slits are pretty much invisible. This is more an artefact of the weavi...