Warp Twine Direction vs Ply Direction

While I was weaving the "satin" band, I considered that the poor result might be due to the warp twining going in the same direction as the ply of the silk, so I tried reversing the direction to improve things. Unfortunately it turned out the warp twining was already going in the reverse direction to the ply, so this did nothing to help things! Later on once I'd given up on the card idling I also tried weaving in both directions.Above is a picture of the four different combinations:
  1. Warp twining opposite to ply twining, card idling
  2. Warp twining same as ply twining, card idling
  3. Warp twining opposite to ply twining, no card idling
  4. Warp twining same as ply twining, no card idling
In retrospect the other one does look best, I think, and the last one definitely the worst.

Comments

Post a Comment

Popular posts from this blog

Mammen cuffs... again!

Image
Warp: Candy silk (devere) and sewing linen Weft: Candy silk Brocade: Spun silver (devere) and gilt passing thread (Hedgehog handworks) Soumak: Red silk (devere) Pattern: Mammen Cards: 23 pattern + 2x7 border Width: 1.5cm Length: 80cm I think this pattern is going to be my nemesis. As you may recall, I have already woven it twice , after New Zealand Post managed to lose it the first time. At the time, pretty much all my information on the band came from Hansen. However, since then I came across Lise Ræder Knudsen's article Brocaded Tablet-Woven Bands: Same Appearance, Different Weaving Technique in NESAT VII, which talks about this band and also some others in a similar style. She has a quite different idea about how the band is constructed: Hansen says that all cards are threaded with silk and the band is executed with "card idling"- ie turn the odd-numbered cards in one pass and the even-numbered ones in the next. Knudsen says that all 4 holes were
Read more

"Anglo-Saxon" Belt

Image
UPDATE: it seems this pattern probably isn't Anglo-Saxon after all, but medieval . Warp: Red, green and white silk Weft: Green silk Pattern: Woven in diamonds Cards: 32 Width: 1 - 2.5 cm Length: 140cm What's new: not brocade OK, so this isn't a brocaded pattern. I'm getting more and more keen to try the various non-brocaded techniques and sometime next year I expect I'll drop the "brocaded" from the blog title. Not yet though because I have 3 brocaded bands queued up after this already. This pattern comes from a belt from Anglo-Saxon Cambridge. It is described on page 122 of Collingwood (2002 edition), page 53 of Hansen and on Þora sharptooth 's site. Reproductions by Þora sharptooth and Shelagh Lewins can be seen online. This pattern was calling out to me at this particular time because like the Mammen band it involves quarter-turning alternating left and right cards. It is the only non-brocaded piece I've done so far other than the bas
Read more

Oseberg Loom

Image
Here's the long-promised post about the Oseberg loom made for me by Iarnulf. Here's a link to Plate 13 from Osebergfunnet Vol. 2 with line drawings of the loom. Iarnulf has copied the dimensions closely. The wood is spruce and macrocarpa while the original was beech. The loom stands about a metre tall and is just under 2m in length. Here's a photo, taken before it was oiled. It feels great to be weaving on a documentable loom. Because it breaks down into pieces it's also very convenient for taking to camping events. The goodly length means you can go for a long time without having to reverse your twine direction (As I've mentioned before, it does make it very inconvenient for setting up in the living room!). If I had one complaint it would be that the crossbar is right where my knees want to be when sitting on my chest seat which means I can't have my lap directly below where I'm weaving so the bobbins can drop there when not in use. This could easil
Read more