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Brocaded Collar

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Warp: White silk Weft: Really thin white silk Brocade weft: #5 Kreinik jap Pattern: brocade Cards: 42 Width: 2.3cm Length: 44cm This band is for my friend Kotek . He wanted a band that looked something like the one in the pictured below, which is from Leonhart Fuchs's De Historia Stirpium There's no particular reason to think this band was tabletwoven; it could well have been embroidered. But there were tabletwoven bands around at the time. I designed a pattern that looked like it would be at home in Anna Neuper's Modelbuch. It didn't really turn out with as much brocade showing as I wanted because I failed to take into account the way that alternating under-over-under with the brocade just looks like it's under all the time (I guess it would have looked better if my pickups had been under one strand only). But it still looks very pretty. I wove the whole thing at the Lindisfarne encampment held by Ordo Cygni over Queen's Birthday weekend (5-7 June)...

Brocade Ergonomics

Ok, so remember how I said that although the illuminations show weavers sitting facing their band looms directly, I had to sit sideways to my Oseberg loom when I was weaving, because the crossbeam was at knee-height? That was true, but it wasn't the whole truth. At Canterbury Faire I was weaving the Baltic S-motif, which is not a brocaded pattern. When I got home and set up my loom there, I realised I could turn my chest seat on its side, which would make it low enough for my knees to fit under the bar. I set up the loom so I was weaving from left to right, and I wove the rest of the band doing a passable job of sitting face-on (no pictures, sorry). However, when I tried to do the same thing with a brocaded pattern, it just didn't work. When the band went from left to right, so the tiedowns were picked up to the left of the cards, I couldn't work out an efficient way to hold my hands. And when the band went from right to left, I just found myself gravitating to the old ...

Oseberg Loom

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Here's the long-promised post about the Oseberg loom made for me by Iarnulf. Here's a link to Plate 13 from Osebergfunnet Vol. 2 with line drawings of the loom. Iarnulf has copied the dimensions closely. The wood is spruce and macrocarpa while the original was beech. The loom stands about a metre tall and is just under 2m in length. Here's a photo, taken before it was oiled. It feels great to be weaving on a documentable loom. Because it breaks down into pieces it's also very convenient for taking to camping events. The goodly length means you can go for a long time without having to reverse your twine direction (As I've mentioned before, it does make it very inconvenient for setting up in the living room!). If I had one complaint it would be that the crossbar is right where my knees want to be when sitting on my chest seat which means I can't have my lap directly below where I'm weaving so the bobbins can drop there when not in use. This could easil...

Knotwork belt

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Warp: Red silk Weft: Really thin red silk Brocade weft: 3x Anchor lame gold Pattern: Knotwork brocade, based on 11th century Swiss pattern Cards: 67 Width: 3.5cm Length: 2m This band is a belt for Sinech, a local SCAdian who does beautiful embroidery. Her persona is 8th century Irish but lacking documentation for tablet weaving going on around there we decided on a knotwork pattern based on a band from 11th century Riggisberg, Switzerland. It's on page 170 of EPAC . The original had 146 tablets but I created a dumbed down version with only 67. I wove this band on the inkle loom, like the last one. Here's a picture of it in progress. Brocade weft coverage is not great but the pattern is still quite striking. Since this is a belt I put slits in the blank areas of the pattern in the middle section of the band. This worked a lot better than it did on the "Anglo-Saxon" belt from last year- the slits are pretty much invisible. This is more an artefact of the weavi...

Hello my Polish friends

I turned on Google Analytics recently and have discovered that Poland is right up there with New Zealand (where I live) and the US in terms of number of visits to this blog, over 3x more than Australia and Denmark which are tying for 4th place. Additionally, Poland makes up over 40% of my worldwide direct traffic! Not that it isn't great to have you around but I am curious as to what led you here. Would anyone like to offer an explanation in the comments? A bonus fun fact is that over 80% of all my visitors are on Windows but only 12% are using Internet Explorer :-)

Wooden Bobbins

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Here are the different types of wooden bobbin I have been using recently. All three are made by local artisans. The top one is made by Ronan Mac Brian and is inspired by the reel in The Medieval Household - the same one pictured in this post in Haandkraft. This bobbin wasn't designed for tablet weaving and the wide section is just a little top wide for passing through the shed. It works very nicely for reeling thread onto, which is handy for when you want to do a continuous warp and need to have the same colour on more than one reel. The second one is one of three is by Lowrans Wilyamson and along with the warp spreader he made me was payment for the bands I made for his Lady earlier this year. He made them after a discussion we had about the bobbins in the Hours of Catherine of Cleves although as you can see they aren't that similar. Lowrans wasn't at all sold on the bifurcation- partly because I couldn't think of a good reason for it, and partly because it wo...

Evebo Animal Frieze

I recently noticed that I am the #1 hit on Google for 'evebo pattern' (and second for 'evebo "tablet weaving') which has made me feel a little guilty since there's no such pattern to be found here. However, there is a pattern to be found on the web- you need to join the SCA-Card-Weaving yahoo group to access it, but the group has all sorts of interesting discussions and if you're keen enough on tablet weaving to be into 3/1 broken twill, you'll probably enjoy being on it anyway. If not, you can set the group to not send you any emails, or join it just long enough to get the file. The pattern is in the Files section, in a file called "Evebo creatures.zip". It is in GTT format. You can download GTT from here . Hopefully that will alleviate my guilt!